Slick and Satanic Pentagram use Rococo influence of ornamentation and theatrics to subvert the history of painting.

Slick, 2009, Found objet and latex, Dimensions Vary
Each installation explores a visual tension between the low art of kitsch and the high art symbolism of paint. A pictorial symbol of passion, the cherub exists simultaneously as a non-threatening, vulnerable form and as a stand-in for the sexually suggestive. Building on the varied history of men and paint, these projects highlights plasticity as point of vulnerability.
Satanic Pentagram, 2012, Found objects, enamel, and wire, Dimensions vary